One more time I was surprised to find a building design by such a foreigner in many sense, here in Tokyo.
Koizumi is a Japanese brand, now mainly known for lighting fixtures and the building could be its main office in Tokyo. There is a showroom at the ground and basement level. Unfortunately it was closed that day, probably a monday.
The building looked like it was freshly repainted.
Eisenmann is a strong Architectural theorician, the deconstructivist pioneer in USA, and notably one of the most known (Here the website page dedicated to this work) .
I stumbled upon Eisenman notably in two different ways, and surely not walking by those whereabouts. One was by studying the MOOC class, of Harward University on edx.org, still open, and free. It is worth noticing that the Harward architectural class is very close to philosophy more than they would admit.
The second time happened while I was reading a book written by an Italian researcher, Arturo Tedeschi, called Algorithm Aided Design, dedicated to Grasshopper. as pag 17, it shows an Eisenman diagram from House IV, Falls Village, Connecticut (1971).
The question is open, did Eisenman leave any traces in Tokyo but this building? Its diagrammatic style is nowadays presented in many architectural presentations (See BIG book hot to cold) nowadays.
Here they already changed the external color, in the previous bloggers there was a pink and blue sides that now are disappeared into a monotone white.
One day I have to write something about the emerging conflict between the lively colors and the current Japanese trend. Some in fact may wrongly think that the actual distaste to…. anything different than grey , belongs to the Japanese culture.
Far from there the true stands.
Speaking about grey, interesting enough to report. it is the contrast of Architecture positions between Eisenmann and the Swiss, P.Zumthor which is considered as well as the american, a master in its own role. Eisenmann declares he is not interested in details, and to exemplifies what are they details for him, he points to the work of mr.Zumthor.
More than that, between 1966 and 1972, abstraction went out, he says with regret in this 2015 University lecture.
By far the most evocative and successful work of mr. Eisenmann is the Holocaust memorial in Berlin, which is totally grey…!
Yep, it is another architectural short circuit.