Koizumi Showroom, by P.Eisenman, 1990


One more time I was surprised to find a building design by such a foreigner in many sense, here in Tokyo.

EisenKoizumimain

Koizumi is a Japanese brand, now mainly known for lighting fixtures and the building could be its main office in Tokyo. There is a showroom at the ground and basement level. Unfortunately it was closed that day, probably a monday.

The building looked like it was freshly repainted.

Eisenmann is a strong Architectural theorician, the deconstructivist pioneer in USA, and notably one of the most known (Here the website page dedicated to this work) .

I stumbled upon Eisenman notably in two different ways, and surely not walking by those whereabouts. One was by studying the MOOC class, of Harward University on edx.org, still open, and free. It is worth noticing that the Harward architectural class is very close to philosophy more than they would admit.

The second time happened while I was reading a book written by an Italian researcher, Arturo Tedeschi, called Algorithm Aided Design, dedicated to Grasshopper. as pag 17, it shows an Eisenman diagram from House IV, Falls Village, Connecticut (1971).

The question is open, did Eisenman leave any traces in Tokyo but this building? Its diagrammatic style is nowadays presented in many architectural presentations (See BIG book hot to cold) nowadays.

Here they already changed the external color, in the previous bloggers there was a pink and blue sides that now are disappeared into a monotone white.

One day I have to write something about the emerging conflict between the lively colors and the current Japanese trend. Some in fact may wrongly think that the actual distaste to…. anything different than grey , belongs to the Japanese culture.

Far from there the true stands.

Speaking about grey, interesting enough to report. it is the contrast of Architecture positions between Eisenmann and the Swiss, P.Zumthor which is considered as well as the american, a master in its own role. Eisenmann declares he is not interested in details, and to exemplifies what are they details for him, he points to the work of mr.Zumthor.

More than that, between 1966 and 1972, abstraction went out, he says with regret in this 2015 University lecture.

By far the most evocative and successful work of mr. Eisenmann is the Holocaust memorial in Berlin, which is totally grey…!

Yep, it is another architectural short circuit.

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Beyond the bubble. The new japanese architecture, by Botond Bognar, a review


Continuing my series of readings with the intent to give it a bit of body, I suggest  this book. It is has been published in 2008 by Phaidon Press.

The writer, says the back cover, teaches at University of Illinois(here) . Every time, you take a book that says New …something and it is dated says 10 years ago, you already knows that , at his best, it can give you some hindsight of what is happening now.

The great merit of this book it is in its short essay.

Mr. Bognar explained very well to me, the crazyness of the bubble era to which, until I read this book, I just heard about but I did not realize exactly how it was.

When he describes the real building of architect Masaharu Takasaki, Crystal Light guest House, built in 1986 and demolished in 1989…it says a lot about the folie/madness of the Bubble and he also explains why. My question, of course, arise: are we heading toward another bubble? Olympic itself is triggering it? Those are not in the book, they are my personal doubts about he current situation while stock market is rocketing…instead the book is composed by 4 sections:

1 – Introduction

2- The bubble years – The epitome of Japanese Postmodernism

3 – After the bubble – New Realities, new priorities

4- Beyond the bubble ‐The Architects

The first three sections are terrific. They are well documented and well explained and if you think that one of the most venerate architects, mr Toyo Ito, has Taichung Metropolitan Opera (Taiwan) mentioned and illustrated, when in reality  the construction just finished last year, you have the idea that even if it is written before 2008 it is not yet a dated book.

At the end of the third section he write a paragraph called lightly “Assessing the future – in lieu of a Conclusion” when it reports words from a philosopher Koji Taki, that basically does not suprise.

The 4th section is a commented Gallery, closer to a well illustrated magazine that sports works from 18 Architects studio such as:

Tele-Design, Koji Yagi, Kazunari Sakamoto, Atelier Bow-Wow, Kazuyo Sejima, Shigeru Ban, Waro Kishi, Nikken Sekkei Ltd, SANAA, Jun Aoki, Ryoji Suzuki, Yasumitsu Matsunaga, Riken Yamamoto, Obayashi Corporation, Yoshio Taniguchi, Kengo Kuma, Tadao Ando, Toyo Ito.

If you do not know half of those people than the book it may worth the acquire or if you like architecture large pictures as well. The proposed works are also well explained in their main features. One merit of the book also is to mention some foreigners who are working in Tokyo competing within the tight market.