Koizumi Showroom, by P.Eisenman, 1990


One more time I was surprised to find a building design by such a foreigner in many sense, here in Tokyo.

EisenKoizumimain

Koizumi is a Japanese brand, now mainly known for lighting fixtures and the building could be its main office in Tokyo. There is a showroom at the ground and basement level. Unfortunately it was closed that day, probably a monday.

The building looked like it was freshly repainted.

Eisenmann is a strong Architectural theorician, the deconstructivist pioneer in USA, and notably one of the most known (Here the website page dedicated to this work) .

I stumbled upon Eisenman notably in two different ways, and surely not walking by those whereabouts. One was by studying the MOOC class, of Harward University on edx.org, still open, and free. It is worth noticing that the Harward architectural class is very close to philosophy more than they would admit.

The second time happened while I was reading a book written by an Italian researcher, Arturo Tedeschi, called Algorithm Aided Design, dedicated to Grasshopper. as pag 17, it shows an Eisenman diagram from House IV, Falls Village, Connecticut (1971).

The question is open, did Eisenman leave any traces in Tokyo but this building? Its diagrammatic style is nowadays presented in many architectural presentations (See BIG book hot to cold) nowadays.

Here they already changed the external color, in the previous bloggers there was a pink and blue sides that now are disappeared into a monotone white.

One day I have to write something about the emerging conflict between the lively colors and the current Japanese trend. Some in fact may wrongly think that the actual distaste to…. anything different than grey , belongs to the Japanese culture.

Far from there the true stands.

Speaking about grey, interesting enough to report. it is the contrast of Architecture positions between Eisenmann and the Swiss, P.Zumthor which is considered as well as the american, a master in its own role. Eisenmann declares he is not interested in details, and to exemplifies what are they details for him, he points to the work of mr.Zumthor.

More than that, between 1966 and 1972, abstraction went out, he says with regret in this 2015 University lecture.

By far the most evocative and successful work of mr. Eisenmann is the Holocaust memorial in Berlin, which is totally grey…!

Yep, it is another architectural short circuit.

Hot to Cold , a recension


These guys, BIG, are a successful danish firm around the world. They are positive, and energetic, and most important they are winning competitions, which also means in our competitive world: many are losing against them in persuading customers.

The book, I just finished to read is a well explained showcase of their work. On youtube you can see their leader, Bjarke Ingels, talking about different projects , and you may want to save the money for the book. Also another interesting video about the latest tower in New York interviewed by a mayor American Channel streaming and other videos are pretty much covering their ideas in full length.

I liked the book for different reasons:

  1. It could be used as a handbook for visual presentation for University Students
  2. It shows how they did not waste their efforts, re-selling the concepts and adapting them to different customers
  3. It is an hymn to brave ideas.
  4. It is also shows how things can go wrong for great designers and that anybody should know that is the part of the job

On the Washington project (the buried museum on the mall) I have found emerging similarities with a Japanese leader architect mind, called Makoto Sei Watanabe, in his conceptual proposal, dated 2009 called ribbons. (From his official website there is also a wonderful video hidden on youtube)

This the main reason why I posting this on my blog. The Washington BIG project present an entrance create under a ribbon (some American may prefer canopy, or a series of canopies) and I see this concepts emerging more often that not, thus for the first time I will conclude this with a challenge to the reader and to myself.

In your next proposal whether a competition or a affluent client, try to design a ribbon, it might leverage your percentage of approval!

 

Komazawa renovation by Azusa Architects Co.


Last week it was the last holiday week before going back to work and I took my son to Komazawa to make a bicycle ride together, I really like that open space, with that gym round!

With my surprise the adult rental was close, so only my son had fun with the children bicycle track. The reason for the closure of the rental was this:

Indoor Stadium

Indoor Ball game Stadium

The architects are the Azusa Co. LTD (株式会社 梓設計) , here their website.

Here there is a link (japanese) that describe in detail the project.

The previous situation was indeed a bit on the deteriorating side,

an old Master management plan for the whole park is reported in this( 25 pages pdf). It was evidently before Tokyo won the bid for 2020, not a mention about this renovation.

My previous post.

a health hazard evaluation would have saved the kid


I thought for a while how to address the issue and I decided of approaching it with my experience, first.

The fact , for those who read this blog from abroad, is big. A 5 year old kid died during Design Week 2016 in a fire, triggered in a University Student Pavilion composition

The picture below show the stand two days before the accident.

td20016pavilion…when I first saw it I had immediately the feeling of danger. Professional feeling, developed during my whole life. On other pavilions this year I had the same sixth sense warning. There was womb-like pavilion, dark, and without an easy way out, very uncomfortable to be inside. Another one was

plenty of plastic balls, spinning around, nice…but safety prevention? none!

This is the object of this post.

When you are Architect, Designer, student you are interested in creating new things, smart, cool, effective, terrific, impressive…but you are not pushed to pursue safety. It is not requested to you.

This year tragedy may turn all the internet buzz and cool stuffs pictures a bit more toward the healthy process of designing safety “pavilions”. According my wife opinion, Tokyo Design Week risks to be cancelled forever.

To my knowledge, Japan is plenty of safeguard rules and warnings. There is a general good awareness of the risks, and for sure much higher than other countries, probably Italy included. Let`s think about earthquakes and tsunamis, and it is easy to see they are on regular basis been considered all along Japan history.

This situation is, despite that, not be well analyzed. TDW is a temporary exhibition, thus  it has not to follow the strict rules of a real estate developer. It is easy to understand to why. In Japan a normal developer of a building has to be organized in a way that construction risks are assessed by experience and consolidate workings on site, rules a part. Usually it is a developer  –  one big company – that take cares of all.

In Europe is different, big developer are not the main market in the building construction. They represent a small fraction of it.  A construction site, even a small one of a one family house would host at least a dozen of different sector enterprises: from the excavation land, to the roof assemblers trough plumbers, electrician, painters and so on. All are different company with different contracts. Everybody knows his own works but knows barely anything about the other. That is why it has been created the role of Safety Coordinator.]

That was my role for several years back in Italy. Somebody who can oversee and forecast the risk of the site. Also during the construction phase, which are the most dangerous, he has to be onsite on regular basis to check if everything is following the right path or not and take actions in case something is not going well.

Among his/her duties, risk assessment are the foundations of the job. I guess the TDW organization has not got any professional doing this job either because it is not request by the Japanese Law or either because they did not assessed the risk.

Gunjin Kaikan, by Ryoichi Kawamoto, 1934


It was the time of Imperialistic style, the time of the euphemistic pan-asian sphere, even so, I like it.

dsc01201His position, gives this building a sort of mysterious aura. When you enter into the Park that surround the BudoKan, in the central area, you cannot miss it.

Here the complete story of the Building.

And here another shot of a detail that needs some attention before Olympic 2020!

dsc01197

I found also a guy/girl on flickr that posted a recent event. During the Tohoku earthquake (2011) a roof collapsed and sadly two people died. Since then it remained closed. This style of thirties was called Teikan Yoshiki

Architecture and Structuralism: the ordering of Space, Herman Hertzberger, Rotterdam, 2015, a review


The writer is also a University teacher (Delft  University) and an active architect (I am not sure he is still teaching though). He is over 8o. I found his name trough a recent project, and I decided to follow the path to see where it leads…

Totally amazed of the intensity of his thoughts, and sometimes in a full time agreement with his teories.

The book chapters, as to say index, is already a recension as reading carefully the titles one can imagine the content. The titles tell us a lot.

Introduction,

Structuralism and Architecture,

Open versus Closed Structures

The collective character of Structure

Interpretability

Architecture`s Unconscious Programme

Generic, Specific, and Polyvalent

Identity

Building Order

Construction Kits

Sustainability

Work in progress

.

Where I am totally in sintony:

“Innovations in architecture are not necessarily improvements but essentially are shifts in emphasis and, therefore, attention,. Besides changes that are difficult to explain there are constants that are equally inexplicable, such as the seemingly indestructible classicism. We see it cropping up wherever there is a need to express certainty , solidity, status and power, in one or other from remotely derived from Classical Antiquity with the quite arbitrary pretention of having eternal value. For the record, the basis of other styles of architecture as well as other collective modes of construction, whether or not religiously inspired,culturally determined or otherwisecommunally driven, generally speaking is every bit as arbitrary”[pg.186]

Also the chapter dedicated to Sustainability unveil some fictitious value related to green, and its prophets. It is truly a fervent pamphlet about the amount of lies that the term has been crammed.

Some chapters mark the link between his group origins, team 10, and the japanese metabolist movement of the sixties. The main value of his theory is how to design and address the space in between the pubblic and the private. A very soften regard leads the reader to understand why some choices are better than others. I would give 5 start just for this unique splendid and fully supported explanation.

The thoughts are explained to such a greater number of examples from the romans to Arles, the city of Lucca, Le Corbusier, and his mentor mr.Aldo Van Eyck another dutch architect that is convincing. Often Le Corbusier is cited both in positive and critic way. Structuralism has an interesting story that officially began with a scism inside the Functionalism, in 1959.

He may had not yet win the pritzker prize, but he does not need it.

 

 

The Chidorigafuchi Grand Park House、 Mitsubishi Jimu Sekkei


ChidorigaFuchi Grand park house

It was adiacent to the sakura walking we did on  the first weekend of April.  It was clear enough, by the the finishing and the detailing marble, that was something for wealthy people or for, maybe ,diplomatic personnel, giving also the location not far from some Political Centres, as well the National Cemetery and the Imperial Palace.

When I looked for the architectural design thus I was not surprised to register the name of Mitsubishi Jimu Sekkei than I am starting to notice as an high valuable office, rather classic though. The building seems to be quite new, this article by the Asahi Shimbun, says 2015. On the other hand it looks also as a Bank investment with all the inferences ons One could do about the real estate property values History in Tokyo and world wide…

If you want inquiry for renting a flat , there, here the link.

I appreciated the most, the under stament and the stern decisive design.IMGP6668