the Stadium has reached its Height


On Sunday I have watched a baseball game, the Tokyo derby: Giants vs Swallowers (Yakult) I guess.

Walking back to the station we walked just a side of the new Olympic Stadium, and it is growing day by day thus I thought it would be nice to have an updated on that.

I probably start something on Instagram since lately I have been doing a lot of bycicle and I am discovering so many interesting things but I do not have time to sit down and write  about them.  However I would love to continue to share these Tokyo sides. Stay tuned about this shift.

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Prevention through Design


This article is long due.

AS my wife forecast in 2016, Tokyo Design Week has been canceled (link). They even do not write the information in English. It probably will change the name into something trendy and bigger, say World Design Week, and it will return back next year.

Since I am returning to focus my interest in safety and Health works, related to construction, it is nice founding a recent approach in design that underline this aspect.

There is a research center, here, the link, quite young from the Arizona State University. I think this deserve an honour place in every Design exhibition world wide.

 

 

The rebirth of a city, L’Aquila, Italian interlude


I was curios to see what was going on, after 8 years from the big earthquake that devastated this City, in the middle of Italy located just 1 hour an half by car from Rome.

I have been gratified by a positive attitude that it is spread all over the citizens. A new mayor was just been elected. The center of the city is an enormous working in progress. I think from 5 to 10 per cent of the palaces are already been repaired accordingly to the new strict anti-seismic regulation. Churches would take longer of course but at least 50 per cent of the real estate goods are under active reparation.

I am sure that in 10 years L’ Aquila will show a full renovated historical centrum more beautiful than the state it was before the earthquake.

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A good point also can be made out of new seismical approach that has inundated the city. Not by coincidence at all, in 2009, just few months after the hit, the Law introducing new, more strict rules to consider the effect of seismic forces was introduced in Italy after a long deprecated procrastination under the conservative Italian forces such as building enterprises for instance. More than that, the 15.000 new houses built in less than year under the direction of the Civil Protection absolute power eventually force the Italians to take in consideration the seismic isolation mechanism so well known in Japan under the name of “Menshin”. The effect is touchable still today, the normal “aquilano” – the local citizen – is as informed as a structural engineer about construction mechanism and technologies that cannot be cheated at all.

The unexpected effect is that these days real estate values in L’Aquila are underestimated, because of the earthquake, where in reality they are far better re-built than in other part of Italy! If you zoom on the horizon you can count the number of cranes standing on the top of the centrum.

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One last input: An unnecessary suggestion to the mayor would be considering to give the outskirt a new urban approach especially where it seems it never had one. To get appeal toward the northern Europe future visitors some efforts must be addressed. Bicycle lanes, clear bus schedule and limitations of traffic speed with the passive dissuaders in critical points to name a few improvements I think L’Aquila deserves.

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The “alternative modernism” by Taro Igarashi


[But both Hirata and Fujimoto adopted approaches that deviate from those of their peers only a few years their senior. Hirata, whose interests lie in natural forms, has sought new architectural possibilities in convoluted structures and twisted spatial topologies. It was Hirata, who, while working in Ito’s office, came up with the foundational idea for the National Taichung Theater. Fujimoto, by contrast, creates incredibly original architecture without reference to difficult philosophical ideas or contemporary art, and through operations so simple they conjure the apocryphal egg of Columbus. As if to restart the history of architecture from its origins, Fujimoto is reconstituting the coordinate field on which all geometries are established.

If we may generalize that geometry gives order to architectural through perpendicula angles and parallel lines, then a new geometry for architecture might be simple at the same time that is capable of rendering complex and multifaceted spaces. This idea of a new geometry is one of the characteristics of alternative modernism] pg. 192

Really this post is meant to point out another book, precise the collection of an exhibition at the MOMA in New York. The tile was A japanese Constellation , curated by Pedro Gadanaho (2016). The book should be on sale online as usual. The Japanese architects showcase list is: Toyo Ito, Kazuo Sejima,  SANAA, Ryue Nishizawa, Sou Foujimoto, Akihisa Hirata, Junya Ishigami.

The book contains a selected series of picture from works from the above plus some light essays to link the whole, and to justify the choices. I imagine that Japanese contemporary architects who are not there would be furious! So they have to work even more to demonstrate their value. (Notably I name mr. Hiroshi Sambuichi who has been lately on many reviews here in Japan, but since he has not his studio set in Tokyo, he may been discarded by the capital snobbery).

The interesting point is the essay by Igarashi, who refers to himself when he wrote, back in 2005, the book: The alternative modern ( Tokyo, TN Probe). The incipt of this post comes from his writing on the Constellation book. The writing is a really good summary of the careers of that list of architects.

{by reading that I am still bestoned by the mistery of mr. Makoto Sei Watanabe: did he have some influence, or He did something to be considered a Japanese traitor since He is always set apart, away from any other? Are there out there some of his disciples working somewhere or they are just mangaka? }

History of Architecture in one man, over 90 years old


I discovered this interview with Yona Friedman, and he tell his story that has some links with the book of Arata Isozaki, a historical connection with the dutch Hertzenberger. and some affinities with contemporary postmodernism freedom. Overall is a good way to contextualize the few incipits . and why they were few, that Japanese centralized system had to carry on until 1965, and their future conquered adult architecture life.

A 37 minute interview, slow pace, with a difficult English accent, beside that it is really Amazing. I am sorry if you cannot get the relationship, it is not explicit, you have to know some of the History behind it to get it. It goes into the Japanese debate about National Architecture, their stubborness, the metabolistes. How Tange recognized his influences. This come almost last in the video interview below.

 

 

At the end one should explain why the Australian Mercutt got a Pritzker Prize and not this guy, just because he does not speak with a good English accent? Cheers.

Toshima Gakuin High School, by Atsushi Kitagawara, 2001


ToshimaGakuin1I just got a bicycle. Nice new way to find interesting works here and there, where you have not any clue about them it is really surprising, and exciting. This is the sort of things you are expecting from Japan and not likely from other countries I guess.

This was on my way to a local library. It turned out to be an awarded architect with some reputation in Japan, not so much abroad.

Here his career on wikipedia. Mr. Aaron Betsky dedicated an article on him “The other Japanese Architecture”, here. and also a monography you can find online. The official architect website, here. Although it does not have an english version it has voices in double version Continue reading