Toshima Gakuin High School, by Atsushi Kitagawara, 2001


ToshimaGakuin1I just got a bicycle. Nice new way to find interesting works here and there, where you have not any clue about them it is really surprising, and exciting. This is the sort of things you are expecting from Japan and not likely from other countries I guess.

This was on my way to a local library. It turned out to be an awarded architect with some reputation in Japan, not so much abroad.

Here his career on wikipedia. Mr. Aaron Betsky dedicated an article on him “The other Japanese Architecture”, here. and also a monography you can find online. The official architect website, here. Although it does not have an english version it has voices in double version Continue reading

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Koizumi Showroom, by P.Eisenman, 1990


One more time I was surprised to find a building design by such a foreigner in many sense, here in Tokyo.

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Koizumi is a Japanese brand, now mainly known for lighting fixtures and the building could be its main office in Tokyo. There is a showroom at the ground and basement level. Unfortunately it was closed that day, probably a monday.

The building looked like it was freshly repainted.

Eisenmann is a strong Architectural theorician, the deconstructivist pioneer in USA, and notably one of the most known (Here the website page dedicated to this work) .

I stumbled upon Eisenman notably in two different ways, and surely not walking by those whereabouts. One was by studying the MOOC class, of Harward University on edx.org, still open, and free. It is worth noticing that the Harward architectural class is very close to philosophy more than they would admit.

The second time happened while I was reading a book written by an Italian researcher, Arturo Tedeschi, called Algorithm Aided Design, dedicated to Grasshopper. as pag 17, it shows an Eisenman diagram from House IV, Falls Village, Connecticut (1971).

The question is open, did Eisenman leave any traces in Tokyo but this building? Its diagrammatic style is nowadays presented in many architectural presentations (See BIG book hot to cold) nowadays.

Here they already changed the external color, in the previous bloggers there was a pink and blue sides that now are disappeared into a monotone white.

One day I have to write something about the emerging conflict between the lively colors and the current Japanese trend. Some in fact may wrongly think that the actual distaste to…. anything different than grey , belongs to the Japanese culture.

Far from there the true stands.

Speaking about grey, interesting enough to report. it is the contrast of Architecture positions between Eisenmann and the Swiss, P.Zumthor which is considered as well as the american, a master in its own role. Eisenmann declares he is not interested in details, and to exemplifies what are they details for him, he points to the work of mr.Zumthor.

More than that, between 1966 and 1972, abstraction went out, he says with regret in this 2015 University lecture.

By far the most evocative and successful work of mr. Eisenmann is the Holocaust memorial in Berlin, which is totally grey…!

Yep, it is another architectural short circuit.

Komazawa renovation by Azusa Architects Co.


Last week it was the last holiday week before going back to work and I took my son to Komazawa to make a bicycle ride together, I really like that open space, with that gym round!

With my surprise the adult rental was close, so only my son had fun with the children bicycle track. The reason for the closure of the rental was this:

Indoor Stadium

Indoor Ball game Stadium

The architects are the Azusa Co. LTD (株式会社 梓設計) , here their website.

Here there is a link (japanese) that describe in detail the project.

The previous situation was indeed a bit on the deteriorating side,

an old Master management plan for the whole park is reported in this( 25 pages pdf). It was evidently before Tokyo won the bid for 2020, not a mention about this renovation.

My previous post.

a nice facade for a Hospital, Kagayaki Plaza, by Kume Sekkei (久米設計)


kagayaki Hospital

finished in 2013, according to this article, during the Sakura week I was walking nearby.

It is interesting that with the Sakura excuse I was able to go in places where otherwise I would never step. This road was near the Budokan but just a turn that I never took before. (here the address 九段南1-6-10)

There was even a free shuttle to assist tourists…

and you know what, for the first time the people who tried to pass the lines were not Italians…I bet you know where they were from!

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a health hazard evaluation would have saved the kid


I thought for a while how to address the issue and I decided of approaching it with my experience, first.

The fact , for those who read this blog from abroad, is big. A 5 year old kid died during Design Week 2016 in a fire, triggered in a University Student Pavilion composition

The picture below show the stand two days before the accident.

td20016pavilion…when I first saw it I had immediately the feeling of danger. Professional feeling, developed during my whole life. On other pavilions this year I had the same sixth sense warning. There was womb-like pavilion, dark, and without an easy way out, very uncomfortable to be inside. Another one was

plenty of plastic balls, spinning around, nice…but safety prevention? none!

This is the object of this post.

When you are Architect, Designer, student you are interested in creating new things, smart, cool, effective, terrific, impressive…but you are not pushed to pursue safety. It is not requested to you.

This year tragedy may turn all the internet buzz and cool stuffs pictures a bit more toward the healthy process of designing safety “pavilions”. According my wife opinion, Tokyo Design Week risks to be cancelled forever.

To my knowledge, Japan is plenty of safeguard rules and warnings. There is a general good awareness of the risks, and for sure much higher than other countries, probably Italy included. Let`s think about earthquakes and tsunamis, and it is easy to see they are on regular basis been considered all along Japan history.

This situation is, despite that, not be well analyzed. TDW is a temporary exhibition, thus  it has not to follow the strict rules of a real estate developer. It is easy to understand to why. In Japan a normal developer of a building has to be organized in a way that construction risks are assessed by experience and consolidate workings on site, rules a part. Usually it is a developer  –  one big company – that take cares of all.

In Europe is different, big developer are not the main market in the building construction. They represent a small fraction of it.  A construction site, even a small one of a one family house would host at least a dozen of different sector enterprises: from the excavation land, to the roof assemblers trough plumbers, electrician, painters and so on. All are different company with different contracts. Everybody knows his own works but knows barely anything about the other. That is why it has been created the role of Safety Coordinator.]

That was my role for several years back in Italy. Somebody who can oversee and forecast the risk of the site. Also during the construction phase, which are the most dangerous, he has to be onsite on regular basis to check if everything is following the right path or not and take actions in case something is not going well.

Among his/her duties, risk assessment are the foundations of the job. I guess the TDW organization has not got any professional doing this job either because it is not request by the Japanese Law or either because they did not assessed the risk.

Tokyo Design Week 2016 …


It should have been a great memory of a full day spent in a creative atmospehere and indeed,

it was a sunny day. For the first time  the food distribution was successful on several aspects. They use a Hokkaido circuit stands chain, and the quality was there. I had even a japanes wine, not so bad.

The exhibition of architecture models was crowded, plenty of interesting unknown architecture studios and not only the famous ones.

Many big brands sport their stands, such Docomo, Sekisui House, Autodesk, Sony,  Panasonic and even…Ikea!!! Why Ikea had the need to be there is really astonishing…anyway it is a sign of a success of the whole event.

 

dsc01318Even the interior, as you can see from the shot above was extraordinary well conceived. A large cafe area where anybody could sit and relax was not there last year.

It was under the usual level the external exposition. One year  I recall many simple containers, this time there were few because the main meadow was on the purport of art installation, all of whom, were inside inflated giant ballons, more than two meteres tall. The downside is that those  art works looked almost the same since the “frame” was overwhelming the content.

The student making of game children was satisfactory as usual, with some lacking of originality.

Unfortunately on Sunday evening a new on Japanese Television transformed all above in an irrilevant event. It is so  sad that I would write about it only after some relfections.

 

 

Gunjin Kaikan, by Ryoichi Kawamoto, 1934


It was the time of Imperialistic style, the time of the euphemistic pan-asian sphere, even so, I like it.

dsc01201His position, gives this building a sort of mysterious aura. When you enter into the Park that surround the BudoKan, in the central area, you cannot miss it.

Here the complete story of the Building.

And here another shot of a detail that needs some attention before Olympic 2020!

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I found also a guy/girl on flickr that posted a recent event. During the Tohoku earthquake (2011) a roof collapsed and sadly two people died. Since then it remained closed. This style of thirties was called Teikan Yoshiki