despite being 24 years old, this Yokohama district located Minato Mirai Mall rocks.
Coming back to Japan and wanted to swim on along distance I went to the Tokyo Gymnasium who host a fantastic, open to all, 50 metre long swimming pool, clean and perfect as you may expect. (it is Sendagaya station for those interested)
Unfortunately the second time, was on Tuesday, and not checking the days off, I found it there. Strolling around the Gymnasium a creepy view was in the horizon, just behind the beautiful dome of the pool (designed by F.Maki by the way).
if you recall the second competition, won by K.Kuma associated with Taisei Corporation and if I recall well Azuma architects, you may remember nice images full of wood an green. That is decoration, design intent. What is the core of the stadium you are seeing this picture: steel and concrete, and what else would might be?
Finding that architect Maki designed the Gymnasium to me it is a reason more to understand why he was chief leader against the original winner project for the new Olympic stadium since your design would be outlaw by the new wave. The funny thing abou that is that always those who were at the beginning of their career the most unbiased it turn out to be the most conservative as the times passes to become a caricature of their own lost value.
A link of some “fantastic” they lost to give some money to the Steel and Concrete Japanese construction base moloch companies.
I just got a bicycle. Nice new way to find interesting works here and there, where you have not any clue about them it is really surprising, and exciting. This is the sort of things you are expecting from Japan and not likely from other countries I guess.
This was on my way to a local library. It turned out to be an awarded architect with some reputation in Japan, not so much abroad.
Here his career on wikipedia. Mr. Aaron Betsky dedicated an article on him “The other Japanese Architecture”, here. and also a monography you can find online. The official architect website, here. Although it does not have an english version it has voices in double version Continue reading
These guys, BIG, are a successful danish firm around the world. They are positive, and energetic, and most important they are winning competitions, which also means in our competitive world: many are losing against them in persuading customers.
The book, I just finished to read is a well explained showcase of their work. On youtube you can see their leader, Bjarke Ingels, talking about different projects , and you may want to save the money for the book. Also another interesting video about the latest tower in New York interviewed by a mayor American Channel streaming and other videos are pretty much covering their ideas in full length.
I liked the book for different reasons:
- It could be used as a handbook for visual presentation for University Students
- It shows how they did not waste their efforts, re-selling the concepts and adapting them to different customers
- It is an hymn to brave ideas.
- It is also shows how things can go wrong for great designers and that anybody should know that is the part of the job
On the Washington project (the buried museum on the mall) I have found emerging similarities with a Japanese leader architect mind, called Makoto Sei Watanabe, in his conceptual proposal, dated 2009 called ribbons. (From his official website there is also a wonderful video hidden on youtube)
This the main reason why I posting this on my blog. The Washington BIG project present an entrance create under a ribbon (some American may prefer canopy, or a series of canopies) and I see this concepts emerging more often that not, thus for the first time I will conclude this with a challenge to the reader and to myself.
In your next proposal whether a competition or a affluent client, try to design a ribbon, it might leverage your percentage of approval!
finished in 2013, according to this article, during the Sakura week I was walking nearby.
It is interesting that with the Sakura excuse I was able to go in places where otherwise I would never step. This road was near the Budokan but just a turn that I never took before. (here the address 九段南1-6-10)
There was even a free shuttle to assist tourists…
and you know what, for the first time the people who tried to pass the lines were not Italians…I bet you know where they were from!
I thought for a while how to address the issue and I decided of approaching it with my experience, first.
The fact , for those who read this blog from abroad, is big. A 5 year old kid died during Design Week 2016 in a fire, triggered in a University Student Pavilion composition
The picture below show the stand two days before the accident.
…when I first saw it I had immediately the feeling of danger. Professional feeling, developed during my whole life. On other pavilions this year I had the same sixth sense warning. There was womb-like pavilion, dark, and without an easy way out, very uncomfortable to be inside. Another one was
plenty of plastic balls, spinning around, nice…but safety prevention? none!
This is the object of this post.
When you are Architect, Designer, student you are interested in creating new things, smart, cool, effective, terrific, impressive…but you are not pushed to pursue safety. It is not requested to you.
This year tragedy may turn all the internet buzz and cool stuffs pictures a bit more toward the healthy process of designing safety “pavilions”. According my wife opinion, Tokyo Design Week risks to be cancelled forever.
To my knowledge, Japan is plenty of safeguard rules and warnings. There is a general good awareness of the risks, and for sure much higher than other countries, probably Italy included. Let`s think about earthquakes and tsunamis, and it is easy to see they are on regular basis been considered all along Japan history.
This situation is, despite that, not be well analyzed. TDW is a temporary exhibition, thus it has not to follow the strict rules of a real estate developer. It is easy to understand to why. In Japan a normal developer of a building has to be organized in a way that construction risks are assessed by experience and consolidate workings on site, rules a part. Usually it is a developer – one big company – that take cares of all.
In Europe is different, big developer are not the main market in the building construction. They represent a small fraction of it. A construction site, even a small one of a one family house would host at least a dozen of different sector enterprises: from the excavation land, to the roof assemblers trough plumbers, electrician, painters and so on. All are different company with different contracts. Everybody knows his own works but knows barely anything about the other. That is why it has been created the role of Safety Coordinator.]
That was my role for several years back in Italy. Somebody who can oversee and forecast the risk of the site. Also during the construction phase, which are the most dangerous, he has to be onsite on regular basis to check if everything is following the right path or not and take actions in case something is not going well.
Among his/her duties, risk assessment are the foundations of the job. I guess the TDW organization has not got any professional doing this job either because it is not request by the Japanese Law or either because they did not assessed the risk.
It was the time of Imperialistic style, the time of the euphemistic pan-asian sphere, even so, I like it.
Here the complete story of the Building.
And here another shot of a detail that needs some attention before Olympic 2020!
I found also a guy/girl on flickr that posted a recent event. During the Tohoku earthquake (2011) a roof collapsed and sadly two people died. Since then it remained closed. This style of thirties was called Teikan Yoshiki