Toshima Gakuin High School, by Atsushi Kitagawara, 2001


ToshimaGakuin1I just got a bicycle. Nice new way to find interesting works here and there, where you have not any clue about them it is really surprising, and exciting. This is the sort of things you are expecting from Japan and not likely from other countries I guess.

This was on my way to a local library. It turned out to be an awarded architect with some reputation in Japan, not so much abroad.

Here his career on wikipedia. Mr. Aaron Betsky dedicated an article on him “The other Japanese Architecture”, here. and also a monography you can find online. The official architect website, here. Although it does not have an english version it has voices in double version Continue reading

Hot to Cold , a recension


These guys, BIG, are a successful danish firm around the world. They are positive, and energetic, and most important they are winning competitions, which also means in our competitive world: many are losing against them in persuading customers.

The book, I just finished to read is a well explained showcase of their work. On youtube you can see their leader, Bjarke Ingels, talking about different projects , and you may want to save the money for the book. Also another interesting video about the latest tower in New York interviewed by a mayor American Channel streaming and other videos are pretty much covering their ideas in full length.

I liked the book for different reasons:

  1. It could be used as a handbook for visual presentation for University Students
  2. It shows how they did not waste their efforts, re-selling the concepts and adapting them to different customers
  3. It is an hymn to brave ideas.
  4. It is also shows how things can go wrong for great designers and that anybody should know that is the part of the job

On the Washington project (the buried museum on the mall) I have found emerging similarities with a Japanese leader architect mind, called Makoto Sei Watanabe, in his conceptual proposal, dated 2009 called ribbons. (From his official website there is also a wonderful video hidden on youtube)

This the main reason why I posting this on my blog. The Washington BIG project present an entrance create under a ribbon (some American may prefer canopy, or a series of canopies) and I see this concepts emerging more often that not, thus for the first time I will conclude this with a challenge to the reader and to myself.

In your next proposal whether a competition or a affluent client, try to design a ribbon, it might leverage your percentage of approval!

 

a nice facade for a Hospital, Kagayaki Plaza, by Kume Sekkei (久米設計)


kagayaki Hospital

finished in 2013, according to this article, during the Sakura week I was walking nearby.

It is interesting that with the Sakura excuse I was able to go in places where otherwise I would never step. This road was near the Budokan but just a turn that I never took before. (here the address 九段南1-6-10)

There was even a free shuttle to assist tourists…

and you know what, for the first time the people who tried to pass the lines were not Italians…I bet you know where they were from!

IMGP6615

a health hazard evaluation would have saved the kid


I thought for a while how to address the issue and I decided of approaching it with my experience, first.

The fact , for those who read this blog from abroad, is big. A 5 year old kid died during Design Week 2016 in a fire, triggered in a University Student Pavilion composition

The picture below show the stand two days before the accident.

td20016pavilion…when I first saw it I had immediately the feeling of danger. Professional feeling, developed during my whole life. On other pavilions this year I had the same sixth sense warning. There was womb-like pavilion, dark, and without an easy way out, very uncomfortable to be inside. Another one was

plenty of plastic balls, spinning around, nice…but safety prevention? none!

This is the object of this post.

When you are Architect, Designer, student you are interested in creating new things, smart, cool, effective, terrific, impressive…but you are not pushed to pursue safety. It is not requested to you.

This year tragedy may turn all the internet buzz and cool stuffs pictures a bit more toward the healthy process of designing safety “pavilions”. According my wife opinion, Tokyo Design Week risks to be cancelled forever.

To my knowledge, Japan is plenty of safeguard rules and warnings. There is a general good awareness of the risks, and for sure much higher than other countries, probably Italy included. Let`s think about earthquakes and tsunamis, and it is easy to see they are on regular basis been considered all along Japan history.

This situation is, despite that, not be well analyzed. TDW is a temporary exhibition, thus  it has not to follow the strict rules of a real estate developer. It is easy to understand to why. In Japan a normal developer of a building has to be organized in a way that construction risks are assessed by experience and consolidate workings on site, rules a part. Usually it is a developer  –  one big company – that take cares of all.

In Europe is different, big developer are not the main market in the building construction. They represent a small fraction of it.  A construction site, even a small one of a one family house would host at least a dozen of different sector enterprises: from the excavation land, to the roof assemblers trough plumbers, electrician, painters and so on. All are different company with different contracts. Everybody knows his own works but knows barely anything about the other. That is why it has been created the role of Safety Coordinator.]

That was my role for several years back in Italy. Somebody who can oversee and forecast the risk of the site. Also during the construction phase, which are the most dangerous, he has to be onsite on regular basis to check if everything is following the right path or not and take actions in case something is not going well.

Among his/her duties, risk assessment are the foundations of the job. I guess the TDW organization has not got any professional doing this job either because it is not request by the Japanese Law or either because they did not assessed the risk.

Gunjin Kaikan, by Ryoichi Kawamoto, 1934


It was the time of Imperialistic style, the time of the euphemistic pan-asian sphere, even so, I like it.

dsc01201His position, gives this building a sort of mysterious aura. When you enter into the Park that surround the BudoKan, in the central area, you cannot miss it.

Here the complete story of the Building.

And here another shot of a detail that needs some attention before Olympic 2020!

dsc01197

I found also a guy/girl on flickr that posted a recent event. During the Tohoku earthquake (2011) a roof collapsed and sadly two people died. Since then it remained closed. This style of thirties was called Teikan Yoshiki

Architecture and Structuralism: the ordering of Space, Herman Hertzberger, Rotterdam, 2015, a review


The writer is also a University teacher (Delft  University) and an active architect (I am not sure he is still teaching though). He is over 8o. I found his name trough a recent project, and I decided to follow the path to see where it leads…

Totally amazed of the intensity of his thoughts, and sometimes in a full time agreement with his teories.

The book chapters, as to say index, is already a recension as reading carefully the titles one can imagine the content. The titles tell us a lot.

Introduction,

Structuralism and Architecture,

Open versus Closed Structures

The collective character of Structure

Interpretability

Architecture`s Unconscious Programme

Generic, Specific, and Polyvalent

Identity

Building Order

Construction Kits

Sustainability

Work in progress

.

Where I am totally in sintony:

“Innovations in architecture are not necessarily improvements but essentially are shifts in emphasis and, therefore, attention,. Besides changes that are difficult to explain there are constants that are equally inexplicable, such as the seemingly indestructible classicism. We see it cropping up wherever there is a need to express certainty , solidity, status and power, in one or other from remotely derived from Classical Antiquity with the quite arbitrary pretention of having eternal value. For the record, the basis of other styles of architecture as well as other collective modes of construction, whether or not religiously inspired,culturally determined or otherwisecommunally driven, generally speaking is every bit as arbitrary”[pg.186]

Also the chapter dedicated to Sustainability unveil some fictitious value related to green, and its prophets. It is truly a fervent pamphlet about the amount of lies that the term has been crammed.

Some chapters mark the link between his group origins, team 10, and the japanese metabolist movement of the sixties. The main value of his theory is how to design and address the space in between the pubblic and the private. A very soften regard leads the reader to understand why some choices are better than others. I would give 5 start just for this unique splendid and fully supported explanation.

The thoughts are explained to such a greater number of examples from the romans to Arles, the city of Lucca, Le Corbusier, and his mentor mr.Aldo Van Eyck another dutch architect that is convincing. Often Le Corbusier is cited both in positive and critic way. Structuralism has an interesting story that officially began with a scism inside the Functionalism, in 1959.

He may had not yet win the pritzker prize, but he does not need it.

 

 

House Vision 2016


I went yesterday, Saturday, the 27th to this wonderful exhibition.

Here some links of video I shot.

It closed on Sunday August 28th.

 

House nr. 9,here. Nippon Design Center, for Toppan Printing.

 

House nr. 1, here. Fumie Shibata for Yamato Holdings.

 

House nr.8, here. K.Kuma, Seijun Nishihata for Sumitomo Forestry.

 

The winner is, Jun Iagarashi and Taihi Fujimori with their Inside Out/Furniture room.

Really lovely, above all the others.  House nr.10,  here. for TOTO and YKK AP

 

IN total there were 12 houses, but not all of them were houses, like 8 and 11, were outdoor

places. nr4. an Office space by Bow Wow.

There is a book already onliune if you`d like to have everything collected. I bought it as a present to a friend in Italy.

Last, I think Kuma, with designing the whole exhibition and 3 years before the House vision 1, first gathering must be considered a leading figure into this productive, architectural environment.

(Also you can see other old posts on this blog about that exibihition, 1,        2,        3,       4,        5, )

So I will put a link to an interesting introduction to his japanese theory book, called defeated architecture, of a blogger also that seems to be one of his

teammates at the studio or just one of his student I do not know really. Here, His ore her name is Zhue, and the article is dated back 2009.